I miced up a drummer for home recording using cheap Fender conference mics that came with the fender PA. It’s all she had. It technically worked but I ended up having to overlay the kick and snare with samples in the DAW to make it sound decent. I’m the sound and recording guy for a few local bands as I’m their only free option (I’m in them). One of these days I swear we are going to have something worth “real” recording and use a studio. Until then, I improve slightly every time I work through these things.

I’m not particularly good at micing up cabinets but with the 57, my guitar tone sounds good no matter how bad my placement seems to be (slightly off center damn near touching grill). I tried so many ways to get bass decent on it but the 52 just worked without effort. I’m sure an expert could probably get the 52 to sound decent/good but for the rest of us, just use a 52. Don’t have a 58 so can’t comment on that but I doubt any Shure mics are bad.

All of those yes but not the kick and bass mic. Had to buy a beta 52 for those.